‘How I Met Your Mother’ and Other Fights I am Having with TV

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Photo: CBS © 2013

Photo: CBS © 2013

By Amy Amatangelo, TV Gal ®

“Our ninth season will tell the epic story of the longest wedding weekend ever.”

That’s How I Met Your Mother creator and executive producer Carter Bays in the official statement CBS released about the finale. It makes my stomach hurt. Look I completely understand artistic vision and no show runner can make all the viewers happy all of the time. Nor should they. They shouldn’t bow to viewers’ wants and desires. So if Bays and his co-creator and executive producer Carter Thomas want to spend the ENTIRE ninth season on Barney and Robin’s wedding, that’s their prerogative.

But, frankly, I don’t understand why. I was surprised to learn that Bays and Thomas had intended to end the series with viewers just getting a glimpse of the Mother as we did in the finale.  We’ve all invested eight years of our lives in this relationship and I, for one, would like to see it play out.  I want to see Ted and the Mother fall in love, maybe even get engaged. I want to see the Mother and Lily become best friends and share footwear. I want to see the Mother fully embraced by the gang.

Plus, for reasons I’ll never understand, the show has made such a big deal about the fact that Ted is still hung up on Robin. This last little do-si-do in the Ted and Robin dance is truly horrendous. Really we’re going to hold hands in the rain? The show has beaten the storyline in such a way that I’m worried there’s no way we can be happy if Robin marries Barney and no way we can be happy if she ends up with Ted.  They are slowly but surely sucking all the joy out of a show I once loved.

I get that Ted still being hung up on Robin may be somewhat realistic – some people do spend their whole lives trying to get over someone. But that truth doesn’t make Ted’s pining particularly interesting to watch.  For me to feel good about the Mother, I need to see Ted get over Robin and that can’t happen in one weekend.

In the “The Time Travelers” episode it seemed to me that the show was strongly hinting at the fact that the Mother was no longer alive. I still have this lingering fear that the Mother died when the kids were little and Ted has been married to Aunt Robin all this time. Is that what the flash forwards next season are going to tell us?

My other problem with this week’s big reveal is that it’s too little, too late. Timing is everything in romance and in television. What is arguably the show’s biggest moment happened at a time when I am past really caring who the Mother is. I am happy that she is a relative unknown. I’m happy for Cristin Milioti. TV is a tough business and it’s nice to see someone we haven’t seen before getting such a high profile role. Everyone is talking about her Broadway run in Once but I want to go back and watch the three episodes where Miloti played Johnny Sac’s daughter on The Sopranos.

How did you feel about the How I Met Your Mother finale? Talk about it below.

But it’s not just HIMYM that has irked me in the past couple weeks, I’m also bothered by the fact that:

Smash killed off Kyle: Ugh that episode was the worst. Kyle got the most amount of screen time after the show killed him off. And just a quick memo to Smash: We already get that Hit List is Rent. You really haven’t been subtle about that at all. And we already know that Jonathan Larson, who wrote Rent, tragically died the morning of the musical’s first preview. So did you really need the Rent poster in the background shot? No you did not. But if you were going to do that could you at least have the characters acknowledge Rent? The moment was already super meta because Jesse L. Martin stared in the original Broadway production of Rent. Honestly, I don’t know what the show was thinking with this maudlin VERY IMPORTANT EPISODE unless it was supposed to distract us from the rest of the show’s ridiculousness like Jimmy singing to himself or Tom becoming a different character every five minutes. Smash is in the midst of a colossal creative collapse. It’s rather fascinating to watch and see what they’ll come up with next (Derek being blackmailed?). I cannot wait until the cast is able to speak freely about what they thought about this second season.  Now that would be a show.

No closure on the Kalinda/Nick storyline on The Good Wife: I hear you. I don’t ever want to see Nick again either. But I do fear that the longer the story line goes unmentioned and unsettled, the more likely it could be that it could reappear when we least expect it. You can read my review of The Good Wife finale here.

Just about everything on The Following: I’ve been thinking a lot about why I’m so willing to allow ridiculousness on some shows and so intolerant of it on others.  For example, I don’t prefer but will allow the fact that James ended up being the one to interview Mellie on Scandal (especially because Cyrus explanation was somewhat reasonable in the Scandal world). But everything on The Following irks me. Maybe it’s because the premise to begin with is so unsavory or that the show keeps trying to find some poignancy amid all the gratuitous violence but the FBI’s utter incompetence (seriously how many times did they go places without backup?) and the show’s lack of basic logic made what was supposed to be a dramatic finale completely laughable. Obviously Joe Carroll is not dead and I’m pretty confident Ryan will survive (obviously).  Maybe the show will take a page from the 24 first season playbook and kill off Claire.  I started to wonder what would happen in season two and how the show could possible eke out more episodes on this ridiculous premise and then I remembered, oh that’s right, I DON’T CARE. I won’t be watching.

Not one but two more seasons of Glee?:  What can I even say about such absurdity? The season finale was inane even by Glee standards. As most of us had predicted but none of us cared, Unique was catfishing Ryder. Suddenly Joe and Sugar were back sans explanation. Rachel appeared to sing one song and then disappeared for the remainder of the episode. Britney got into MIT. Blaine’s still in high school but he wants to marry Kurt (what show do they think they are on? 7th Heaven?)  Next season, I must break up with this show. I must. I might need to form a support group to get me through it because when the show is good, it’s very very good (seriously that “Everything was Beautiful at the Ballet” number was splendid) and when it’s bad it’s beyond horrid.

Are you in a fight with a TV show? Talk about it below.  And don’t forget to follow up my blog by clicking on the link in the top right hand corner.

 

Can ‘Nashville’ be saved?

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Credit: ABC/BOB D'AMICO

Credit: ABC/BOB D’AMICO

By Amy Amatangelo, TV Gal ®

Okay Nashville, listen up. I already have one musical show I’m watching as it makes its march towards its series finale. That’s right. I’m drinking the champagne, dancing and ignoring the iceberg straight ahead as the Smash sinks.

I don’t know if I can take another show not living up to the promise of its pilot and disappointing me in every episode. In the words of Chandler Bing, I couldn’t be more Nashville’s target audience. I love country music. I love singing on television. I love big, sweeping prime time soaps. I still think there’s a chance I can be Connie Britton when I grow up. You couldn’t find a viewer who wants to love Nashville more. But lately the show seems to be taking that sentence as some sort of dare and testing the limits of exactly how much I can take before I quit the show.

The rocky first season Nashville proves how utterly challenging it is to produce a consistently compelling TV series. I don’t want to break up with Nashville. So I’m offering up my six point plan for saving the show.

  1. Stop coming up with annoying characters. Just stop it. We all know I can’t stand Scarlett with her wide-eyed naiveté, exaggerated accent, penchant for lacey white clothing, desperate whininess and bad hair extensions. I would love to see a show where Jimmy from Smash and Scarlett run off together and never return. But silly me. I thought Scarlett was the worst Nashville could come up with until it introduced Dante. Seriously, what is with this guy? He went from being a sober coach to a controlling Svengali in one episode. Not only is he annoying, HE MAKES NO SENSE.
  2. Slow down with the plot lines, please. Plot lines ricochet around with seemingly little purpose. How many times have Rayna and Deacon decided they aren’t friends? Juliette got married, had that marriage annulled and she’s already on to her next disastrous relationship. Scarlett and Avery broke up. She finally got together with Gunnar. And now Gunnar’s going to become some sort of danger junkie?  No thank you. Gunnar is one of the show’s best characters. Don’t you dare ruin him.
  3. Let the dream go.We aren’t going to care about the political plotline. Believe me, it hurts me to say it. I love Eric Close (have since Now and Again) and I want to care about Teddy, really I do. But you make it so hard. I mean how much am I supposed to care about a land deal? And, honestly, am I supposed to care that Peggy betrayed him by leaking the story of his divorce.
  4. Figure out what you are going to do with Avery: For most of the season, Avery has been marooned in his own story line and moved around like a chess piece. Often, it feels like the show only checks in on him because of some contractual obligation to do so. Making him a roadie on Juliette’s tour doesn’t solve the problem. Nor does the fact that he’s a different character in every episode.  Is he Juliette’s dastardly ex-boyfriend? A man willing to sleep his way to a career? A musician with a strong sense of artistic integrity? Don’t know and, most of the time, don’t care.
  5. Give Juliette a purpose: Hayden Panettiere’s poor little rich girl act is getting old fast. I love a bitchy Juliette. She’s fun to watch. But so far there’s still not that much to Juliette.
  6. Stop wasting Connie Britton: Britton is one of the best television actresses around. She’s managed to make me still care about Rayna amid bad writing and poor plotting. But my love for Mrs. Coach can only take me so far.

What do you think can be done to save Nashville? Talk about it below.

Earth Day Giveaway!

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saving the ocean cod

By Amy Amatangelo, TV Gal ®

I don’t often talk about world events in my blog. I figure you have plenty of other places to go for that news and commentary. But, as you know, last week was a very difficult week for the city I call my home. I feel so blessed that all my family and friends are safe and that none of them were affected by this tragedy. But, like so many of you, I cannot stop thinking about those who were not so fortunate. Those who lost their lives and those whose lives are irrevocably changed. My thoughts and prayers are with them and with the city of Boston.

I’m so delighted that I have something fun and uplifting to share with you today. Thanks to Chedd-Angier Productions, I have two copies of Saving the Ocean to giveaway in celebration of Earth Day. In this 10-part PBS series (click here to find where it’s playing in your area) , marine biologist and author Carl Safina travels the globe to talk with the people who are making a positive difference in the ocean and in marine life.

So often when we talk about the environment, it is in negative terms about all the things that are going wrong. Saving the Ocean takes a wonderful look at all the things that are going right.  Safina pets whales, plays with baby sharks, and confronts the deadly lion fish. He is always looking at the solutions and his enthusiasm is infectious.

We could all use something a little inspiring this week. In the comment section below, tell me what you are doing to celebrate Earth Day or the little things you do to help the environment. I will pick two winners at random from the comments. You have until Thursday, April 25 at 5 p.m. ET to post your answers.

Thanks and Happy Earth Day!

Still Mad about ‘Mad Men’

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mad men

By Amy Amatangelo, TV Gal ®

I’m still mad about Mad Men. No show pulls you in to its evocative world quite the way Mad Men does. At the end of the episode, I always feel a bit transported to another place and time. And no show quite devastates me the way Mad Men does. I’m still recovering from the way Joan was made partner last season.

But by now you’ve probably heard how we, as TV critics, are not supposed to tell you, well anything really, about the sixth season premiere of Mad Men (tonight at 9 p.m. on AMC).  My friend Mo Ryan wrote a great piece about it this week.

I have never been a critic to spoil big surprises for the viewers. I want you to have the almost same experience I have when you watch an episode. But if executive producer Matthew Weiner doesn’t want me to talk about new characters or new relationships, it’s impossible to review the premiere properly. I mean there’s only so many words I can devote to the state of Pete’s sideburns (they’re not good people, they’re not good).

Instead I thought I would give you six points to ruminate on while you watch the premiere.

  1. Mad Men gives good guest stars. There might not be an “Oh my God! Rory Gilmore’s on Mad Men” moment but there are plenty of surprising guest star turns that positively delighted me. One person looked so different that I had a very delayed reaction to figuring out who it was.
  2. After you watch Sunday night’s premiere, email me and let me know what clued you in to what year it is. I’m wondering if we will all pick up on the same thing. This revelatory type of storytelling of merely hinting at the month and year is quite effective. It truly gives the viewer the sense that we are dropping in on the characters’ lives versus they are telling a story to us.
  3. I’m so glad Peggy is still on the show and that her departure from the firm didn’t go the way of Sal Romano. I know it’s probably true to life that Sal would disappear from their lives but I still miss him on the show. Maybe this will be the season we finally get to see how Sal is doing. We’ve been able to check back in on so many other characters.
  4. Betty, who really didn’t get her fair amount of screen time last season, gets one of her more intriguing storylines in tonight’s premiere.  We see see her acting much more like a concerned and protective mother than we ever have.
  5. Mortality looms over the premiere. This has always been a recurrent theme on the series. Now it practically takes over in an absolutely not subtle way.
  6. I fear Don’s story arc is getting repetitive. I’ll be curious to hear if you feel the same way.

After you watch tonight’s premiere, email me through my contact page or post your comments below and let me know your thoughts.

A chat with Sarah Chalke

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(ABC/BOB D'AMICO)

(ABC/BOB D’AMICO)

By Amy Amatangelo, TV Gal ®

We will be seeing quite a bit of the always delightful Sarah Chalke in the next few days. She’ll guest star on Grey’s Anatomy tonight (read TV Line’s story about her appearance) and her new series How to Live with Your Parents (for the Rest of Your Life) premieres next Wednesday, April 3. In the ABC comedy, she plays a single mom whose finances force her to move back home.

From playing the second Becky on Roseanne to Eliot on Scrubs, I’ve always been a fan of Chalke’s work. When I was in LA, I had the chance to talk to her about her new series.

TV Gal: Why did you want to play Polly in How to Live with Your Parents (for the Rest of Your Life)?

Sarah Chalke: One of the reasons I loved the part and wanted to do it because I could relate to it more than any other part I’ve played. [Chalke is the mom to Charlie, age three.] I feel like Polly at the bottom of it she just wants to be a great mom. She’s trying to balance her work and living with her parents and trying to date again and do all this but she just wants to be the best mom possible and I feel like every working mom can relate to that. You’re trying to balance it all and find a way to somehow enjoy it and you just want the best for your kid.

TV Gal: Does it feel different launching this show than it did when you launched Scrubs?

Chalke: As an actor you always feel like getting a pilot, the pilot getting picked up and getting on the air and making it, it’s lightning in a bottle. I feel so lucky to have been a part of it. On Scrubs I got to stay with the same people for eight and a half years. When you do something like this and you have the same kind of chemistry and connection and just the enjoyment of the job at the end of the day that’s what matters to me. As soon as you become a mom, you realize what do I want for my kid? I want him to have a happy life. I don’t care what he wants to do. Just be happy. And you kind of realize, ‘Oh that’s all that actually matters in life. Just be happy.’ When you come across a thing like this where you have that rare situation, it just makes me that much more hopeful that it will go and that it will work. We had such a good time.

TV Gal: You are known for having finger toes. Will we see your toe dexterity on the show?

Chalke: We do an episode about my finger toes! I also date this one guy played by Reid Scott. His name is Hot Scott on the show. He ends up breaking up with me because of my obnoxious laugh so there were things about myself that definitely made it into the show.

TV Gal: You’ve been acting since you were a teenager. What keeps you in the business?

Chalke: I love that every day is different. I love working in comedy. I love working in dramatic stuff for shorter periods of time but as a job that could potentially go on for a long time I really just wanted to look at comedies because that’s for me the funnest way to go to work every day. I love getting to know different groups of people but more than that I love it when it continues and you actually get to really know them and stay with them for a while.

TV Gal: And you never thought about leaving the business and doing something else?

Chalke: I was 16 when I started working on the Roseanne show. It was the number one show at the time. I hadn’t really worked that much and I saw how private everyone’s lives had to be and how scrutinized they were and the paparazzi. It was this whole sort of world that I just didn’t know about and I thought, ‘Well if that’s the end goal if everyone just has to be driven in dark cars,’ it just seemed to me pretty terrifying as a 16 year old. That, of course, was balanced by it being the most amazing learning curve for comedy and the most incredibly experience to watch Laurie Metcalf and John Goodman and Roseanne and Sara Gilbert and Johnny Galecki that was an incredible gift to have that. The flip side of it was to see this other side of it and that was scary. I moved back to Canada after that experience. I thought, ‘I’m out. I’m going back to school. This is maybe not the direction I’ll go.’ But at the end of the day I just missed it.

TV Gal: How do you think J.D. and Eliot are doing?

Chalke: I hope they have a lot of babies. I hope they’re really happy. I think they are. Turk has probably moved in with them.

‘How I Met Your Mother,’ ‘The Good Wife,’ ‘New Girl’ and ‘Glee’ . . . this week’s TV questions

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Credit: CBS

Credit: CBS

By Amy Amatangelo, TV Gal ®

Let’s turn our attention to the TV questions that are plaguing me this week.

Is Jayma Mays the mother on How I Met Your Mother?

At first, I was very excited about last night’s How I Met Your Mother. “Jayma Mays is the Mother!” I thought to myself. That euphoria lasted about five minutes before I realized that it is much more likely that Coat Check Girl as the possible mother is yet another bait and switch the comedy is pulling on its viewers.  Ted said he would have run to go see his future wife but really that could be anyone.  Besides, it would be a little confusing if the Mother we’ve been hearing about for eight seasons turned out to be Mr. Schu’s estranged fiancée. There are plenty of actresses out there and I hope that How I Met Your Mother picks a less than familiar face to play the title role. But mostly I hope we find out who the Mother is before the end of the season. I’ve looooong contended that the show was a strong enough comedy by itself and that it no longer needed the conceit of the title to keep viewers interested. Now, it’s more than a little annoying that the series keeps dragging out the big reveal.

Also, does anyone else think that by the time Ted is telling his children the story of how he met their mother that maybe the mother has died? There was something a little sad about the way he was saying he wanted those “extra 45 days” with her.  I totally get the sentiment behind what he was saying – we’ve all been waiting for a long time the next phase of Ted’s life to begin. But something about the scene didn’t sit right with me –it was as if the show was trying to hint at something else.  Like there was something more to Ted saying “I’m always going to love you til the end of my days and beyond.”  The whole scene had a slightly maudlin undercurrent.  Am I crazy for thinking this? Did this occur to anyone else? (Also if Barney and Robin’s wedding is 45 days away and they haven’t picked a caterer yet. They are in trouble.)

On a much lighter note, Ted, Barney, 20-years-from-now Barney, 20-years-from-now Ted, 20-minutes-from-now Barney and 20-minutes-from-now Ted singing “The Longest Time” is definitely one of my favorite How I Met Your Mother moments EVER.

Is Alicia truly in love with Peter on The Good Wife?

On Sunday’s The Good Wife (you can read my review of the episode here), Alicia had a heartfelt conversation with her daughter where she told Grace she was with Peter because she loves him. But I couldn’t tell if she was just telling Grace what Grace needed to hear. I believe Alicia loves Peter – they have a history and two children together. And clearly she’s still attracted to him. But is she still in love with him? I’m not so sure. There’s been a shift in the power dynamics and the way Alicia has treated Peter this season. She has the upper hand in their relationship (he needs her more than she needs him) and often it seemed like she was using their little afternoon delights to show who had the true power in their relationship (she even laughed at Peter when he said he wanted to take her out on a date).  Yes Alicia has used Peter’s political position to advance her career this season but I don’t think that’s why she is staying with him. She knows how much it would disrupt her children’s lives if she divorced Peter and pursued her relationship with Will.  And it’s hard to let go of her relationship with Peter and the family they have together. What do you think?

Will Jess and Nick hooking up ruin New Girl?

No, it will not. Plenty of comedies put their will-they-or-won’t-they couples together and it benefits the show – Pam and Jim on The Office, Sabrina and Jimmy on Raising Hope to name a few. It would be far more unrealistic if these two people, who live together and are clearly attracted to one another, did nothing about it for two years. The problem is that Nick does not have his life together – at all. He needs to figure his own stuff out before he can truly pursue a relationship. The trick will be to not make Jess and Nick like Ross and Rachel on Friends – that dragged on for way too long. Let Schmidt and CeCe be the Ross and Rachel. Nick and Jess can be the Chandler and Monica.

Does anything on Glee make sense anymore?

No, it does not. Santana and Quinn hook up? The show doesn’t have Quinn on all season and then brings her back just to fulfill a male fantasy cliché? Really Glee? Really? And it’s not like Brody was this great character, but a male gigolo? Really Glee? Really? Nothing about the characters is consistent. This has always been Glee’s Achilles’ heel. But this season the characters have been out of control. As we’ve previously discussed, witness Tina’s crush on Blaine, Blaine’s crush on Sam, and the aforementioned Quinn/Santana hook up. And the story lines are so erratic. Rachael could be pregnant! No she’s not!

And I’m wondering – is there another Glee that regularly features Sugar, Joe, Kate Hudson, and Sarah Jessica Parker? Not that Sarah Jessica Parker’s character ever made sense, but way too many characters have disappeared this season sans explanation. I still love the musical numbers. Seriously there’s not a better way to my heart than an ‘NSYNC/ Backstreet Boys mash up. At this point, the series should be a musical revue show with no dialogue and no plot.

What are your thoughts on How I Met Your Mother, The Good Wife, New Girl, and Glee? Talk about it below.

It’s time to start a ‘Smash’ Support Group

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Smash - Season 2

By Amy Amatangelo, TV Gal ®

My friends, it has come to this.

On Wednesday, NBC announced that, effective April 6,  it would move Smash to Saturday nights. Once abandoned on Saturday, the beleaguered drama will be allowed to air the entirety of its second season.  Smash showrunner Josh Safran told TVLine this week that the final episode of the season “was constructed as a series finale.”

So we must make a decision. Do we jump off this Titanic of a show and spend our precious viewing hours elsewhere. Or do we go all in and commit to watching Smash until the bitter end. I, for one, am going down with the ship. I will watch Smash until the last curtain falls.

I’m not exactly sure why I’ve decided to stick with the show because heaven (on earth) knows Smash has some serious flaws this season. I’m mean seriously how is it possible that they managed to come up with a character who is more annoying than Ellis? (Oh don’t even pretend like you don’t know who I’m talking about.)

It’s moments like this when we need our fellow TV viewers the most.  I decided we so need to form a Smash support group.

Each week, the group will meet and

  1. Wear oversized scarves.
  2. Randomly send out a person to go and get coffee for the creative team.
  3. Pout and threaten to quit the group the moment someone disagrees with you even slightly (thanks to @sj_martin for this one).
  4. Drink martinis and throw them at each other (thanks to @beccarebec for this one).
  5. Blame all our problems on Jerry.
  6. Form a search party for Jennifer Hudson (Is she hanging out in New York City with Sarah Jessica Parker and Kate Hudson?)
  7. Try to buy tickets for Bombshell and The Hit Lit.
  8. Debate whether Franco is a good match for Grace.
  9. Go out to eat and break into song for no apparent reason.
  10. Start to tell a story, stop half-way through and then NEVER revisit that story again.

Are you still watching Smash? Do you want to join the Smash support group? Talk about it below and tell me what you would like to see happen during our weekly meetings. Remember, we are in this together.

Why I’m Okay Giving to the ‘Veronica Mars’ movie

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By Amy Amatangelo

In addition to my writing career, I have a long history of working in the nonprofit world.  Social justice issues, particularly those concerning children, have always been important to me.

Also, I am someone who loves to save money – I use coupons, wait for sales, and always search for discount codes. I hate it when I realize after the fact I spent more money than I needed to.

That being said – within minutes of learning there was a Kickstarter campaign to make a Veronica Mars movie, I donated. Not crazy money, enough to get me a t-shirt and the shooting script. I’ve never given to a Kickstarter campaign before but I loved Veronica Mars. The show was cancelled too soon. And I love the fact that six years after the show ended, Kristen Bell and Rob Thomas want to make a movie happen. They like the show as much as we do and you know that is not always the case. To be totally honest, I already feel like I got my money’s worth just from the little video created to promote the project. (Can you put a price on a smoldering Logan?)

But even as I gave my money, I thought to myself, “I’m giving money to people who have money.” And I understand the uproar of wouldn’t it be nice if we could all mobilize to donate money to underfunded schools or third-world countries not to major movie studios. And yes ,obviously, that would be wonderful.

But every day I make decisions to spend my money on less than altruistic ways – I buy myself an overpriced coffee or an outfit that’s way too expensive or a $23 movie ticket so I can sit in the comfy seats. (Even with coupons an overpriced outfit is still overpriced).

We all have causes we support and that’s important (and, even within those causes, there’s a hierarchy). But every day I spend money on entertainment from my Internet and cable bill to my eBooks and magazine subscriptions. To say that the money raised for the Veronica Mars movie could have been put to better use is way too simplistic an argument. My money could probably almost always be put to better use.

The Kickstarter campaign is not that much different than fans sending peanuts to save the television show Jericho or similar “Save Our Show” campaigns. It shows those in charge, who have the real money, that there’s a consumer demand for the product.

Do I wish that the people giving thousands of dollars could see some sort of return? Of course. Do I think it’s a little weird that one of the rewards is having Kristen Bell and Rob Thomas follow you on Twitter? Absolutely. But really I’m mostly downright giddy at the prospect of a Veronica Mars movie and positively delighted to support the project. How about you?

Let’s talk about ‘The Good Wife’

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Photo: Justin Stephens/ CBS Broadcasting Inc

Photo: Justin Stephens/ CBS Broadcasting Inc

By Amy Amatangelo, TV Gal ®

I’ve been meaning to get this post up since last week but several other deadlines loomed and I didn’t have the time. And I thought I love The Good Wife. You love The Good Wife. There’s plenty to still talk about. I will warn you that there are some (relatively mild) spoilers ahead so read at your own risk.

Each week I review The Good Wife episodes over at PasteMagazine.com (you can read my latest review here). Last week I participated in a conference call with Robert and Michele King, the creators and executive producers of the series. Here’s what you need to know about what’s coming up as The Good Wife winds down its fourth season:

  1. The gubernatorial election will take place this season. Matthew Perry’s Republican Mike Kresteva is back on March 24. The Kings would not say whether Peter would win the election but did say the way Chris Noth’s schedule works it would work out fine for the show if Peter were in Springfield at the Governor’s mansion and Alicia remained in Chicago. My guess is Peter will win the election  - it’s a more interesting angle for the show to take. This season, The Good Wife proved Alicia had no trouble using Peter’s position to further her own career (it’s why she was the one cherry picked to become partner). I’m kind of fascinated to see what happens when her husband is Governor. And, if he does become Governor, the Kings say he will turn his attention  to becoming President, which would be very, very interesting.
  2. The little Alicia/Will/Peter love triangle will continue. “It’s Alicia struggling with her attraction to two men and we are going to explore that all the way until the end of the year,” Robert King said. “Before she could tell herself it was not adultery. It’s getting a lot more difficult,” Michele King added. My whole thing with Alicia and Peter is sometimes I watch them together and think, “Ah yes the show is reminding us that Peter and Alicia were once in love and were in a marriage together and have a history.”  But sometimes I  watch the scenes and think “Alicia is just using Peter like he used her.” Discuss. (As an aside, I would definitely pick the man who knows the lyrics to the Growing Pains theme song over Mr. Big, but that’s just me.)
  3. Will we find out Kalinda’s role in Nick’s disappearance?  Producers declined to answer, but they were clear we would not be seeing Nick again (hooray!). Whatever happened with Nick, it will continue to change Kalinda. “ Kalinda is someone who is constantly resisting connection but also there’s something within her that’s trying to find connection to other people and I think that situation is just going to propel her closer to want to reach out,” Robert King said. My speculation is that Kalinda is eventually going to want to talk to someone about it (maybe Alicia? Maybe Cary?). And , by the way, I TOTALLY think Cary and Kalinda slept together in the last episode.
  4. Things are about to get really ugly. “Civil war is where we are headed with the firm,” Robert King promised. Last Sunday, Kalinda told Cary to stop but don’t look for that to happen.  “He’s in this mode of ‘I’ve been screwed over now it’s my turn,’” Robert said.
  5. Mamie Gummer will be back before the end of the season to reprise her role of Nancy Crozier.  I’m not sure this will allow me to forgive her for Emily Owens, M.D, but it’s a start. The producers would also love to have Anna Camp reprise her role of Caitlin but nothing is confirmed yet.  I would love to see Caitlin back on The Good Wife because I have long contended that Caitlin was playing the long, long game. Don’t you think if Cary starts his own firm she could pop up? You know who else could join Cary in his new firm? Nathan Lane’s Hayden Clarke, who is now a lawyer. This is just speculation on my part but I’m putting it out there.
  6. Just a heads up on the guest stars we will be seeing in addition to Perry and Gummer – Stockard Channing (who will return as Alicia’s mom), Will Chase (last seen as Michael Swift on Smash), Dylan Baker (back as the dastardly Colin Sweeney), Gary Cole (back as Kurt McVeigh), Morena Baccarin (back as Isobel Swift), John Shea (back as Cary’s dad), and John Noble (Fringe).

What are your thoughts on The Good Wife? Do you think Kalinda killed Nick? Do you think she slept with Cary? Is Peter going to win the election? Would you sing the Growing Pains theme song with Will? Talk about it below.

Is ‘Golden Boy’ Golden?

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Photo: JoJo Whilden/CBS

Photo: JoJo Whilden/CBS

By Amy Amatangelo, TV Gal ®

Often when I sit down to watch a new series, I don’t read any of the press material associate with the show. I want to watch the show not knowing exactly what it’s about or who it’s from. Given my profession, that’s not always easy to do, of course, but it happened with Golden Boy, premiering tonight at 10 p.m. on CBS.

By the time the DVD arrived, I had forgotten what the show was about. But as I began watching the pilot, something about the grittiness of New York City, the cuts between scenes, and the cadence of the characters’ dialogue seemed very, very familiar. “This show, I thought to myself, reminds me of NYPD Blue.” Turns out that’s because it’s executive produced by Nicholas Wooten, who began his career writing and producing NYPD Blue.

I should pause now to issue my disclaimer: -We all know I love TV. But sometimes my relationship with a show transcends that of viewer/TV show. There are some shows that hold a particularly special place in my life.  NYPD Blue is one of those shows. (The other four are Cheers, Beverly Hills 90210, Buffy the Vampire Slayer and Homicide: Life on the Streets). I loved NYPD Blue. I never missed an episode in its entire 12 year run. I still wonder what was the deal with Danny Sorenson and those paper clips. I still get chills when I think about the screen fading to white after Bobby died. I could talk to anyone for hours about how Andy Sipowicz is one of the greatest television characters of all time.

I tell you this because it means I’m predisposed to like Golden Boy. Anything that evokes the tone of NYPD Blue already is starting off in my plus column. Add in the fact that Greg Berlanti , the man behind my beloved Everwood as well as Brothers & Sisters, Political Animals and Arrow, is the show’s other producer and it almost feels like the pitch meetings started off with “We want to make a show that Amy Amatangelo will love.”

Theo James (aka the lost Franco brother) stars as NYPD Detective Walter William Clark, Jr. Seven years from now, Clark will become the youngest police commissioner in the history of the NYPD. The series flashes back to the present as we learn about Clark’s rapid and unlikely rise from rookie detective to commissioner. What we do know is that the seven years have not been kind to him – he looks and acts much older than his years. (Perhaps he needs to invest in a good moisturizer?)

CBS is the home of crime procedurals and what I like about Golden Boy is that the drama puts an interesting and innovative twist on the standard cop drama. Yes there’s the case of the week but it’s couched in the mystery of all that transpired between the present and the future. It’s a quirky set up that totally works.

Chi McBride co-stars as Clark’s partner Detective Don Owen. I can’t think of an actor who deserves for his series to be a hit more than McBride. He starred in Pushing Daisies, The Nine and Human Target -all great shows that were cancelled way too soon. Golden Boy should not be added to the list. The rest of the cast is also strong including Kevin Alejandro (who I still miss on Southland), Bonnie Sommerville (who starred in the final season of NYPD Blue) and Holt McCallany (Lights Out).

There’s been so much talk lately about the new shows that have tanked in the ratings including Deception, Do No Harm, and Zero Hour. But those were all bad shows. Golden Boy is a good show that could become a great one. I’m rooting for it to be around for a long time. After you watch the show tonight, let me know what you think.