By Amy Amatangelo, TV Gal ®
“Our ninth season will tell the epic story of the longest wedding weekend ever.”
That’s How I Met Your Mother creator and executive producer Carter Bays in the official statement CBS released about the finale. It makes my stomach hurt. Look I completely understand artistic vision and no show runner can make all the viewers happy all of the time. Nor should they. They shouldn’t bow to viewers’ wants and desires. So if Bays and his co-creator and executive producer Carter Thomas want to spend the ENTIRE ninth season on Barney and Robin’s wedding, that’s their prerogative.
But, frankly, I don’t understand why. I was surprised to learn that Bays and Thomas had intended to end the series with viewers just getting a glimpse of the Mother as we did in the finale. We’ve all invested eight years of our lives in this relationship and I, for one, would like to see it play out. I want to see Ted and the Mother fall in love, maybe even get engaged. I want to see the Mother and Lily become best friends and share footwear. I want to see the Mother fully embraced by the gang.
Plus, for reasons I’ll never understand, the show has made such a big deal about the fact that Ted is still hung up on Robin. This last little do-si-do in the Ted and Robin dance is truly horrendous. Really we’re going to hold hands in the rain? The show has beaten the storyline in such a way that I’m worried there’s no way we can be happy if Robin marries Barney and no way we can be happy if she ends up with Ted. They are slowly but surely sucking all the joy out of a show I once loved.
I get that Ted still being hung up on Robin may be somewhat realistic – some people do spend their whole lives trying to get over someone. But that truth doesn’t make Ted’s pining particularly interesting to watch. For me to feel good about the Mother, I need to see Ted get over Robin and that can’t happen in one weekend.
In the “The Time Travelers” episode it seemed to me that the show was strongly hinting at the fact that the Mother was no longer alive. I still have this lingering fear that the Mother died when the kids were little and Ted has been married to Aunt Robin all this time. Is that what the flash forwards next season are going to tell us?
My other problem with this week’s big reveal is that it’s too little, too late. Timing is everything in romance and in television. What is arguably the show’s biggest moment happened at a time when I am past really caring who the Mother is. I am happy that she is a relative unknown. I’m happy for Cristin Milioti. TV is a tough business and it’s nice to see someone we haven’t seen before getting such a high profile role. Everyone is talking about her Broadway run in Once but I want to go back and watch the three episodes where Miloti played Johnny Sac’s daughter on The Sopranos.
How did you feel about the How I Met Your Mother finale? Talk about it below.
But it’s not just HIMYM that has irked me in the past couple weeks, I’m also bothered by the fact that:
Smash killed off Kyle: Ugh that episode was the worst. Kyle got the most amount of screen time after the show killed him off. And just a quick memo to Smash: We already get that Hit List is Rent. You really haven’t been subtle about that at all. And we already know that Jonathan Larson, who wrote Rent, tragically died the morning of the musical’s first preview. So did you really need the Rent poster in the background shot? No you did not. But if you were going to do that could you at least have the characters acknowledge Rent? The moment was already super meta because Jesse L. Martin stared in the original Broadway production of Rent. Honestly, I don’t know what the show was thinking with this maudlin VERY IMPORTANT EPISODE unless it was supposed to distract us from the rest of the show’s ridiculousness like Jimmy singing to himself or Tom becoming a different character every five minutes. Smash is in the midst of a colossal creative collapse. It’s rather fascinating to watch and see what they’ll come up with next (Derek being blackmailed?). I cannot wait until the cast is able to speak freely about what they thought about this second season. Now that would be a show.
No closure on the Kalinda/Nick storyline on The Good Wife: I hear you. I don’t ever want to see Nick again either. But I do fear that the longer the story line goes unmentioned and unsettled, the more likely it could be that it could reappear when we least expect it. You can read my review of The Good Wife finale here.
Just about everything on The Following: I’ve been thinking a lot about why I’m so willing to allow ridiculousness on some shows and so intolerant of it on others. For example, I don’t prefer but will allow the fact that James ended up being the one to interview Mellie on Scandal (especially because Cyrus explanation was somewhat reasonable in the Scandal world). But everything on The Following irks me. Maybe it’s because the premise to begin with is so unsavory or that the show keeps trying to find some poignancy amid all the gratuitous violence but the FBI’s utter incompetence (seriously how many times did they go places without backup?) and the show’s lack of basic logic made what was supposed to be a dramatic finale completely laughable. Obviously Joe Carroll is not dead and I’m pretty confident Ryan will survive (obviously). Maybe the show will take a page from the 24 first season playbook and kill off Claire. I started to wonder what would happen in season two and how the show could possible eke out more episodes on this ridiculous premise and then I remembered, oh that’s right, I DON’T CARE. I won’t be watching.
Not one but two more seasons of Glee?: What can I even say about such absurdity? The season finale was inane even by Glee standards. As most of us had predicted but none of us cared, Unique was catfishing Ryder. Suddenly Joe and Sugar were back sans explanation. Rachel appeared to sing one song and then disappeared for the remainder of the episode. Britney got into MIT. Blaine’s still in high school but he wants to marry Kurt (what show do they think they are on? 7th Heaven?) Next season, I must break up with this show. I must. I might need to form a support group to get me through it because when the show is good, it’s very very good (seriously that “Everything was Beautiful at the Ballet” number was splendid) and when it’s bad it’s beyond horrid.
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