Can ‘Nashville’ be saved?

Credit: ABC/BOB D'AMICO

Credit: ABC/BOB D’AMICO

By Amy Amatangelo, TV Gal ®

Okay Nashville, listen up. I already have one musical show I’m watching as it makes its march towards its series finale. That’s right. I’m drinking the champagne, dancing and ignoring the iceberg straight ahead as the Smash sinks.

I don’t know if I can take another show not living up to the promise of its pilot and disappointing me in every episode. In the words of Chandler Bing, I couldn’t be more Nashville’s target audience. I love country music. I love singing on television. I love big, sweeping prime time soaps. I still think there’s a chance I can be Connie Britton when I grow up. You couldn’t find a viewer who wants to love Nashville more. But lately the show seems to be taking that sentence as some sort of dare and testing the limits of exactly how much I can take before I quit the show.

The rocky first season Nashville proves how utterly challenging it is to produce a consistently compelling TV series. I don’t want to break up with Nashville. So I’m offering up my six point plan for saving the show.

  1. Stop coming up with annoying characters. Just stop it. We all know I can’t stand Scarlett with her wide-eyed naiveté, exaggerated accent, penchant for lacey white clothing, desperate whininess and bad hair extensions. I would love to see a show where Jimmy from Smash and Scarlett run off together and never return. But silly me. I thought Scarlett was the worst Nashville could come up with until it introduced Dante. Seriously, what is with this guy? He went from being a sober coach to a controlling Svengali in one episode. Not only is he annoying, HE MAKES NO SENSE.
  2. Slow down with the plot lines, please. Plot lines ricochet around with seemingly little purpose. How many times have Rayna and Deacon decided they aren’t friends? Juliette got married, had that marriage annulled and she’s already on to her next disastrous relationship. Scarlett and Avery broke up. She finally got together with Gunnar. And now Gunnar’s going to become some sort of danger junkie?  No thank you. Gunnar is one of the show’s best characters. Don’t you dare ruin him.
  3. Let the dream go.We aren’t going to care about the political plotline. Believe me, it hurts me to say it. I love Eric Close (have since Now and Again) and I want to care about Teddy, really I do. But you make it so hard. I mean how much am I supposed to care about a land deal? And, honestly, am I supposed to care that Peggy betrayed him by leaking the story of his divorce.
  4. Figure out what you are going to do with Avery: For most of the season, Avery has been marooned in his own story line and moved around like a chess piece. Often, it feels like the show only checks in on him because of some contractual obligation to do so. Making him a roadie on Juliette’s tour doesn’t solve the problem. Nor does the fact that he’s a different character in every episode.  Is he Juliette’s dastardly ex-boyfriend? A man willing to sleep his way to a career? A musician with a strong sense of artistic integrity? Don’t know and, most of the time, don’t care.
  5. Give Juliette a purpose: Hayden Panettiere’s poor little rich girl act is getting old fast. I love a bitchy Juliette. She’s fun to watch. But so far there’s still not that much to Juliette.
  6. Stop wasting Connie Britton: Britton is one of the best television actresses around. She’s managed to make me still care about Rayna amid bad writing and poor plotting. But my love for Mrs. Coach can only take me so far.

What do you think can be done to save Nashville? Talk about it below.

ls ‘Glee’ Out of Ideas? Should we trust Claire on ‘The Following’ and other TV questions

CR: Bob Mahoney/FOX

CR: Bob Mahoney/FOX

By Amy Amatangelo ®

Here are my biggest TV questions this week:

1. Is Claire Matthews secretly one of Joe Carroll’s followers on The Following?

The first season of 24 changed me as a viewer. I trust no one now. No one. And just as Nina was revealed to be a traitor in the first season finale of 24, I don’t think Claire is as innocent as she seems. She was married to Joe. How is it that she suspected nothing exactly? Clearly The Following loves surprising viewers (witness the little menage-a-followers in last night’s episode). Could this be the big surprise of the season? Was Claire’s relationship with Ryan merely a ruse to distract him? I’m doubling down on this one – Claire is not what she seems. Who’s with me?

2.  Is there a more cringing inducing story line that Tina lusting after Blaine on Glee?

Honestly is Glee completely out of ideas? Shows always suffer when they’ve exhausted every possible romantic permutation and start coming up with ridiculous pairings. Finn kisses Emma? Blaine has a crush on Sam? The worst offense is Tina lusting after Blaine.  I still shudder at the thought of Tina putting vapor rub on Blaine and crying while he slept. It wasn’t sad and poignant. It was creepy and unsettling. Where did this even come from? I’m all for the underused Jenna Ushkowitz getting more screen time but this is not the way. Plus it exposes one of Glee’s worst offenses. Characters are completely and irrationally inconsistent. Why would Tina fall for a guy she knows is gay? And what exactly did Blaine have to apologize for? For being gay and not liking Tina the way she likes him? Glee doesn’t make a lot of sense most of the time. But this story line makes no sense none of the time.

3.  Does Scandal need to go back to fixing other people’s problems?

You know I love how completely nuts Scandal is. The show is ridiculous in the best, most entertaining way.  But, even for me, last week’s episode was too much. The President is now a murderer? Sure everyone on Scandal pretty much exists in a gray area. Despite all the talk about Olivia and company being “gladiators in suits” and the good guys, we know that’s not completely true. They are the good guys only in the right context.  But I still don’t want the President to be a murderer.  And I didn’t quite believe that Abby would turn on David like that. It’s a dangerous game Scandal is playing – characters should be flawed, that’s what makes them interesting. But they shouldn’t be so flawed that we are unable to root for them anymore.  Scandal needs to take a break from all the conspiracy and the back stabbing and the murder. This week’s episode (Thursday at 10 p.m. on ABC) skips ahead 10 months and begins Scott Foley’s guest star arc. The official press release for the episode says the team will be handling a new case. A few stand-alone episodes will do the show good.

4. Is there a more obvious story line than the doctors trying to buy the hospital on Grey’s Anatomy?

If it’s the settlement from the lawsuit that’s bankrupting the hospital, of course the doctors are going to try to buy it. Why did we have to spend three episodes getting to this obvious conclusion.  I’m finding Grey’s Anatomy positively tedious this season. Anyone who can name all the new interns without looking them up deserves some sort of prize. Because I call them Smash, Tina Majorino, the one I always forget about, annoying girl in love with Jackson and Lexie 2.0.

5. Is there a more annoying character on TV right now than Scarlett on Nashville?

She is so whiny and her accent is way over the top. I actually think I’m on Avery’s side which can’t be what the show intended.  Nashville is starting to become the show I hoped it would be but I always want to fast forward through the Scarlett scenes. Really the only time I want to listen to her is when she’s singing.

What do you think about what’s happening on The Following, Grey’s Anatomy, Glee, Nashville and Scandal? Talk about it below.

 Where Have I Seen Them Before?

Amy Hargreaves is Gail, the woman Tom hit with his car on The Carrie Diaries. She plays Carrie’s sister Maggie on Homeland.

Nazanin Boniadi was the public relations expert following Alex around on Grey’s Anatomy. We just saw her on Go On as Hannah, Carrie’s friend who went out with Ryan. She was, of course, Barney’s girlfriend Nora on How I Met Your Mother.

Abby Elliott is Ted’s new crazy girlfriend Jeanette on How I Met Your Mother. She was on Saturday Night Live for four seasons and, interesting fact, was the original Kate in Ben and Kate before the role was recast with Dakota Johnson.

Susan Misner is having a busy TV season. She plays Louis Canning’s wife Simone on The Good Wife.  Stan Beeman’s wife Sandra on The Americans. And she was on The Following last night as Ryan’s sister Jenny.  I also recognized her as Dan and Jenny’s mother Alison on Gossip Girl.

This one was bugging me for a while. Leah Pipes was the senior who wanted Rachel to be topless in her movie on Glee.  She was Katie in the short-lived CW series Life is Wild.

Quotes of the Week

“I’m like the Joan Cusack character in the romantic comedy of your life.” Mindy to Jamie on The Mindy Project.

“Little choke doesn’t like caramel and also he’s dead.” Laurie about why the Latin Kings didn’t accept her gang initiation cake on Cougar Town.

“Child stars go downhill no matter how good they are. They could star in a Spielberg movie and still end up playing the nutty mom in some sitcom,” Virginia to Sabrina on Raising Hope in a nice little shout out to The Goonies.

“I’m a squirrel. You’re a nut. Winter’s coming and I’m going to store you in my cheek girl.” Schmidt to CeCe on New Girl.

“That’s for cancelling My Name Is Earl,” Burt as he kicked the NBC executive on Raising Hope.

“I want painful, difficult, devastating, life-changing, extraordinary love. Don’t you want that too?”Olivia to Edison on Scandal. Oh Olivia, my dear, sweet Olivia, you need SO much therapy.

“Do you think she’ll still like me now that I’m dead?” Chris after suffering food poisoning on Parks & Recreation. 

“I think you should stay and I think we should fight.” Pam to Jim on The Office.

“Rayna, I’m done talking.” Deacon to Rayna before kissing her in the elevator on Nashville.

“Not everyone in here looks like they are on the CW. Some of us are more PBS.” Artie on Glee.

What do you think about what’s happening on The Following, Glee, Grey’s Anatomy, Scandal and Nashville? Talk about it below. If you’ve seen a familiar face or heard a great quote, let me know through my comment page. And don’t forget to follow my blog by entering your email in the upper right hand corner. That way you’ll always know when I have a new post up.

First Quarter Report Card for ‘Elementary,’ The New Normal,’ ‘The Mindy Project’ and ‘Nashville’

By Amy Amatangelo, TV Gal ®

You can only tell so much in a show’s pilot. You can sense the potential or lack thereof. You might know at a gut level whether you’re interested in the characters or not.  But really the pilot is merely a peek into what could be. I had no idea when I watched the pilot for Buffy the Vampire Slayer that it would turn into the landmark TV. But I knew from the moment I watched the first episode of Arrested Development that it would most likely become one of my favorite TV shows of all time.

With that in mind, let’s check back in on four new shows that have been picked up for the full season.

The New Normal (Tuesday at 9:30 p.m. on NBC): To my utter surprise, I’m still watching The New Normal.  So there’s definitely something there that keeps me coming back each week. Perhaps it’s just to see what Babe Wood Shania will do next. Wood is the discovery of the season. And while the show isn’t as funny as it needs to be to actually be a comedy, it has, at times, been surprisingly poignant. I loved the episode the October 23 episode that found Bryan and David searching for godparents.  When the show tones down its preachiness, it is actually capable of providing thoughtful commentary.

But, as much as I hate to say it, Ellen Barkin’s Nana is a huge, almost insurmountable problem for the show. There’s some sort of graduate student thesis that could be written about why Sue Sylvester works as a character on Glee and Nana doesn’t.  Both women make absolutely outrageous homophobic and racist comments. Both women have no problem doling out vicious, personal attacks.  Both women are, on the surface, beyond offensive. Yet Sue has always provided great entertainment value. Nana is cringe-inducing. Perhaps it’s because The New Normal has given Nana no redeeming qualities. She is the cruelest to her own granddaughter. Seeing Sue with her sister let the audience know that she had a loving side to her and I always feel that, on some level, Sue actually cared about her students.  Nana is merely angry at the world and that much vitriol in an endless loop is tedious to watch.  Nana needs to go back to Ohio.

The Mindy Project (Tuesday at 9:30 p.m. on FOX): There is so much that is not working about this comedy and it starts with Mindy Kaling. As I said in the review I wrote for Paste Magazine this week, Kaling’s character becomes increasingly unlikeable with each passing week. The crux of the problem is that she’s playing a doctor -not just any kind of doctor, an OB/GYN.  If you want women to watch your show, you really can’t mess around with that. Most women have a trusted relationship with their OB/GYN.  These are the doctors who know your most personal information. They see you through your pregnancy and the delivery of your baby.  As I’ve always said, I don’t need a ton of realism from my TV shows. But I need to believe that Mindy actually is a doctor. (At least to the same degree I believe Phil Dunphy is actually a real estate agent or Robin Sherbatsky is actually a news anchor). So I want to watch a comedy where Mindy is actually good at her job and cares about her patients.  I want to believe the premise the show is built on – that Mindy has her professional life together but her personal life is a mess.  Dr. Lahiri and her colleagues don’t seem to ever work. Mindy is vapid and vain. I wouldn’t trust her to paint my nails.  She would probably stop half way through so she could chase a boy or try on outfits. There are so many other problems with the show (beginning with the painful underutilization of Anna Camp) but if your main character isn’t working, the rest of your show isn’t going to work.  Mindy Lahiri needs a profession where other people’s lives aren’t at stake. I fear the character’s career choice is fatal error from which the show cannot recover.

Elementary (Thursdays at 10 p.m. on CBS): The biggest problem this crime drama is facing is that it keeps casting familiar faces as the weekly bad guy.  The show films in New York City. It needs to take a page from the Law & Order playbook and start casting more theater actors – faces that viewers don’t know. Because if we see David Costabile, who has had major arcs on Breaking Bad and Damages, as a janitor, we’re not fooled. We know he is probably the bad guy.  And if we solve the crime before Sherlock does every week, we are going to get bored. My other issue with the show is that Lucy Liu and Jonny Lee Miller are giving incredibly strong performances but the series is struggling to integrate the mystery part of the show with the interpersonal aspects of the character’s lives.  It is often clumsy and awkward.

Nashville (Wednesdays at 10 p.m. on ABC): This was my favorite new show of the season and, for the most part, it has lived up to my expectations. I’m enjoying the continuing development of Rayna’s character. Given my affection for Friday Night Lights, I expected Rayna to be a tough-as-nails/heart-of-gold type character. But she’s evolved into something much more complex than that.  I like that I don’t always like Rayna. Deacon, who she clearly loves, calls her from jail and she declines the call? That seems awful but it also tells me quite a bit about their shared history. Maybe this is the fifth, tenth, or twentieth time that has happened. I would like to see Eric Close’s Teddy be less of a pawn in everyone else’s game.  But the character I’m having the biggest problem with is Scarlett. As much as I love Scarlett’s music, I’m not that into her character. Her little-girl-lost act is grating and so is her stand-by-her-man nonsense – at least she stopped standing by her man last night. It’s tricky to play a character that fragile and innocent and still make her compelling. So far Scarlett is the show’s weakest link.

What new shows are you still watching? How do you think they’re doing? Talk about it below. If you’ve heard a great quote or seen a terrific familiar face, email me and let me know. And remember to sign up to follow my blog (upper right hand corner) if you want to be part of my December TV Swag Giveaway.

Where Have I Seen Them Before and Quotes of the Week for October 25, 2012

By Amy Amatangelo, TV Gal ®

Where Have I Seen Them Before?

Skyler Day was the teen who wanted to keep sailing even though she might lose her foot on Grey’s Anatomy. She was Amy, Drew’s girlfriend, on Parenthood. Meeghan Holaway was the lawyer for Derek, Cristina, Meredith and Arizona. She played Amanda Burke, the lawyer Kathryn and John had on Switched at Birth before they hired Craig (Sam Page).  Ned Vaughn was the lawyer for the airlines. We just saw him in an episode of The Newsroom, where he played a representative for Halliburton who came on Will’s show.

Patrick Fischler was Artie Hornbacher, the NSA employee who tricked Olivia on Scandal. Fischler has been on so many things but I remember him most as Jimmy Barrett, the comic who did the Utz Potato Chip commercials on Mad Men and Phil, a DHARMA Initiative employee on Lost. Wendy Davis was Kimberly Mitchell, the talk show host. She’s Joan on Army Wives. Steven W. Bailey, who played the bartender Joe on Grey’s Anatomy, was the medical examiner. Brian Letscher is Tom, the secret service agent. I wanted to point him out because he’s the brother of Matt Letscher, who played the evil Billy Chambers last season on Scandal. So Shonda Rhimes hire within her TV family and within real families as well.

Adam J. Harrington was the robot like Congressman on Parks and Recreation. He was Ethan last season on The Secret Circle and Agent Walker on Dexter.

Rosa Salazar was Molly, Kate’s wild high school friend on Ben & Kate. She played Zoe, the woman who changed her mind and kept her baby last season on Parenthood.

Yancey Arias was the father of the missing girl on Elementary. He played Senator Tom Kingsley last season on Revenge but I’ll always remember him as Miguel on Kingpin.

Matthew Del Negro was Kent, Penny’s physical therapist on Happy Endings. We just saw him in the season premiere of The Good Wife as the police officer who pulled over Zach. He’s lodged in my memory as Brian Cammarata on The Sopranos.

Rachel Shelley was Milah, Rumplestiltskin’s wife on Once Upon a Time. She was Helena Peabody on The L Word

Quotes of the Week

“I loved you . . . if only the circumstances had been wildly different. You’re a disgrace to your nation Sergeant Nicholas Brody. You’re a traitor and a terrorist. And now it’s time to pay for that.” Carrie to Brody on Homeland.

“You’ll never be done.” Amanda to Emily on Revenge.

“I’ll wait until I hear them all sing and then I’ll text in my choice.” Axl on which Presidential candidate he’ll cast his vote for on The Middle.

“You gave me cookie. I got you cookie.” Nick to Schmidt on New Girl. This is definitely one of those quotes that makes no sense out of context but I loved it so much I had to include it this week.

“There are no bad ideas Lemon. Only great ideas that go horribly wrong.” Jack to Liz on 30 Rock.

“You see her again, I’ll blow you away. And I’m an excellent shot, remember?” the First Lady to the President on Scandal.

“Christopher, this is no time to be petulant.” Tim to Christopher on Project Runway when he won’t stop sewing when his time is up.

“I’m proud of you but also a bit fearful that we’re verging on what I call feelings territory so let’s stare at the fire in silence.” Ron to Tom on Parks and Recreation.

“It’s going to be old school – guitars and great songs. Just a show for people who love actual music.” Rayna to Juliette about her new tour on Nashville. Rayna could rival Victoria Grayson for biting one liners.

“Now I don’t feel like pie. Wait. No. It’s back.” Kevin on The Office.

“He won the election. Honey, our son is the new president of Cedar Knoll Middle School. God help us all.” Adam to Kristina on Parenthood.

“I will always come find you.” Emmett to Bay on Switched at Birth. Thanks to Diane for the quote.

Best Exchange of the Week

“Who’s your favorite rapper?” Nick to Schmidt in a flashback to their college days on New Girl.

“Brian Austin Green.” Schmidt’s response. I would watch a whole show about Nick and Schmidt in college. Can we make that happen?

Have you seen a familiar face or heard a great quote? Email me through my contact page and let me know about it. And remember to follow my blog (enter your email in the upper right hand corner) so you’ll always know when I have a new post.

TV’s Best Tertiary Characters

By Amy Amatangelo, TV Gal®

How do you know you’re a great character?

There’s a fan outcry when you aren’t around.

Since Homeland began its second season, viewers have been plagued with questions:  Will Carrie realize she was right? Will Brody get caught? But perhaps the biggest question troubling viewers was: Where is Virgil?

The beloved surveillance expert brilliantly played by David Marciano finally returned on Sunday.  I actually clapped when he came on the screen. There is something so wonderful about Virgil and his relationship with Carrie. He’s exasperated when he should be, protective when he needs to be, and funny when the show is in desperate need of comic relief. Plus, he’s kind of the only character besides Carrie that I truly trust at this point.

But the really interesting thing about Virgil is that he’s obviously not a main character (that’s Carrie and Brody). But he’s not a secondary character either (lsuch as David Estes or Mike). He’s a tertiary character. And to make a tertiary character stand out you’ve got to be really good.

Here are some of my other favorite tertiary characters on television:

First Lady Mellie Grant (Bellamy Young) on Scandal: I adore Mellie. First of all, she’s a woman in the right. Her husband, the President of the United States, cheated on her and continues to be hung up on a woman he cannot and should not have.  Secondly, would you want to cross her? Young brilliantly pulls off the tricky act of being simultaneously sympathetic and devious. The scene in the limo where she asks her husband to forgive her? Heartbreaking. The scene where she tells her husband that she needs to start making plans for her future.  A little terrifying.  The season Young was promoted to series regular and is rightly getting so much screen time that she’s almost a secondary character.

Grizz (Grizz Chapman) and Dot Com (Kevin Brown) on 30 Rock: As Tracy’s entourage, the pair have provided some of the comedy’s best laughs with their droll commentary on their boss’s ridiculous antics. They’re the voice of reason not just in Tracy’s world but sometimes for the entire series. I would so watch the Grizz and Dot Com Show. Now that 30 Rock is ending, isn’t it about time for a spinoff?

Cora (Barbara Hershey) on Once Upon a Time: How do you make viewers feel sorry for the Evil Queen? Give her a mother who is worse than she is. Hershey is wonderfully evil. I’m so glad she is still around this season causing trouble. Also bonus points for the fact that Hershey actually looks like she could be Lana Parrilla’s mother.

Brad Bottig (Brock Ciarlelli) on The Middle: As Sue’s enthusiastic former boyfriend, Ciarlelli makes me smile every time he comes on the screen.  He also exemplifies what makes The Middle such a fantastic show.  Brad could have been a one note joke – Sue doesn’t realize that her boyfriend is probably gay. But he has become so much more than that. The Middle thrives because it’s a very funny show with humor based in truth and characters we know. I always say there’s a little bit of Sue in anyone who has ever been a teenage girl. And I definitely had friends such as Brad when I was in high school. He’s simply a fantastic character.

Burt Hummel (Mike O’Malley) on Glee: O’Malley provides some of Glee’s best moments. He is my favorite television dad.  Here’s hoping there’s a holiday episode in our future where Kurt goes home to see his dad.

Who are some of your favorite tertiary characters? Talk about it below.

Happy Endings, Don’t Trust the B ____ in Apartment 23 and Nashville

Here’s my three-part TV viewing assignment for the week:

There are times when I truly believe an episode of television was created just for me. It’s like television’s way of saying “thanks Amy. We’re glad you’re here.”  And the premiere of Don’t Trust the B____ in Apartment 23, which returns for its second season tonight at 9:30 p.m. on ABC, is one of those times.  James Van Der Beek, who continues to hilariously spoof himself, reluctantly decides he will do a Dawson’s Creek reunion.  I don’t want to ruin the jokes by telling you any more than that. But any show that can reference The Facts of Life Goes to Paris and stage a fame intervention is my kind of show. You must watch.

I have championed Happy Endings since it premiered. Dave writing thank you notes after being left at the alter is one of the funniest television moments ever (“Darkness reigns. Hope gurgles out its dying breath. Thank you for the beautiful crockpot.”).  As it returns for its third season (tonight at 9 p.m. on ABC), Dave (Zachary Knighton) and Elisha Cuthbert (Elisha Cuthbert) are back together but keeping it casual. They’re this decade’s Ross and Rachel if you didn’t think Ross and Rachel should actually be together. The show has become more Scrubs-like as the seasons have progressed (more totally out there flights of fancy humor) but the writing remains razor sharp. What other show has hilarious lines such as “You two have fun talking like Scott Caan’s groomsmen.”  Again, you must watch.

People, people, people. What is going on? Why oh why is Nashville (Wednesday at 10 p.m. on ABC) on the bubble? Why aren’t you watching the best new show of the season? This is starting to remind me of Lone Star. Talk to me.  Why aren’t you watching?

That’s all for today. Remember to follow my blog so you will know every time I have a new post. And on Thursday I’ll have this week’s best familiar faces and quotes so if you’re heard a great quote or seen a familiar face email me about them through my contact page.

An interview with Connie Britton

ABC/BOB D’AMICO

By Amy Amatangelo, TV Gal®

We loved her in Friday Night Lights. We were a little freaked out by her in American Horror Story.  And now Connie Britton has the best role of her career as country music superstar Rayna Jaymes in Nashville (Wednesdays at 10 p.m. on ABC). I hope you all watched the premiere last night and loved the show as much as I did.

Luckily, along with some of my fellow reporters, I had a chance to talk to Britton recently.

On the rivalry between Rayna and Juliette Barnes (Hayden Panettiere) and playing older to Panettiere’s young.

I think the whole idea of this rivalry has been a little overdeveloped. I never saw the show in those terms and I’ve worked really hard to not have the show become about being quote unquote old because I certainly don’t feel old and I’m not interested in playing old. So I don’t want it to be about old versus young or about one woman versus another woman. I think what our two characters represent are two people in very different phases of their life and very different phases of the music business.

On how she describes Rayna

Rayna is a really really strong character. She’s a self-made character and she’s a survivor so that’s an interesting thing to watch in her character, to watch her strength. She just pulls from whatever it is that she knows to survive and keep going. She supports her family and she has created this career not out of folly but because she really needs it as a woman and as a person kind of moving away from her family and creating her own path.

On Rayna’s backstory

I actually know a lot.  [Executive producer] Callie Khouri is really into backstory which is really fun so we sat down and we really dished it out and it’s fun because there’s such a rich history. Rayna has lived her life with her band members. She’s had a relationship with the head of her band and now she’s in this marriage. There’s a lot of backstory but I don’t want to give it all away. I do think there’s going to be redemption for everybody involved and I’m always interested in that.

On her success as an actress

I’m really just grateful all the time about it. Every character I play I try to play such different characters but there’s always one strong intent and that is to play women in a way that portrays them as powerful and true and complex sort of comfortable in their own skin even in the midst of crisis and chaos and whatever form that takes, whatever story that takes.  I think people appreciate that. Listen in TV we have a lot of opportunity. We’re seeing a lot of really strong woman characters on television but I think to play a strong woman who is also accessible and vulnerable and has a lot of same qualities as most women do, I think people appreciate that and my hope is to keep doing that.

On the music business

Not unlike Hollywood, I think the music industry can be very cutthroat but the flip side of that is I also think that there’s a lot of support in the music industry. Talking to a lot of people I know in the music industry there’s actually a lot of appreciation for women who are in their 40s. There is ageism for sure but there’s also a deep regard for people who have established themselves and have really lived a life in music so I think you see both. I think the city of Nashville has really embraced this show because we have every intention of portraying Nashville in a very true and honest way.

On her Emmy nominations for American Horror Story and Friday Night Lights

It’s actually surprising every single time it happens. It was so hard to get acknowledgement from Emmy voters on Friday Night Lights so, by the end, any Emmy nomination we got felt like an Emmy nomination for the show. But then to go into American Horror Story and have that show acknowledged in such a huge way was thrilling in such a different way. First of all, I was very surprised frankly because that felt like a risky role for me to play particularly after playing Tami Taylor on Friday Night Lights. To feel that show and that role was embraced by audiences as much as my role on Friday Night Lights was, it felt very sort of vindicating and thrilling.

Best New Shows of the Season

Photo Credit: John Paul Filo / CBS BROADCASTING INC.

By Amy Amatangelo, TV Gal®

There are some television seasons that will forever be etched in my memory.  In 2004, Desperate Housewives, Lost, Veronica Mars and House all premiered. That, as the saying goes, was a very good year.

And there are some pilot episodes that were magic immediately. I can remember sitting on my couch in 2003, putting in pilot after pilot and stumbling upon Arrested Development. I’m not exaggerating when I say I got chills the pilot was so good. Chills.

Alas, this television season isn’t like 2004 and I don’t think any TV pilot quite captures the sheer brilliance of the first Arrested Development.  But there are still some shows I am excited about.

Here are my picks for the best new show on each network:

Elementary (premieres September 27 at 10 p.m. on CBS): Yesterday I talked about how disappointing it was to have Jordana Spiro and Zach Gilford, two of my favorite TV stars, in a bad show. Thankfully Elementary is the opposite of that. Another two of my favorites -Jonny Lee Miller, who I will always adore because of Eli Stone, and Lucy Liu, who was simply fantastic on Southland last season – headline this CBS drama. And, yes, it is another crime procedural from CBS and, yes, it is another Sherlock Holmes remake. But none of that really matters because it’s such a strong pilot. I want to see more of recovering drug addict Sherlock Holmes and his equally-troubled-but-in-a-different-way sober coach Joan Watson.  Added bonus – Miller gets to use his real accent.

Nashville (premiering October 10 at 10 p.m. on ABC):  Nashville is, by far, the best new show of the season. Connie Britton (Friday Night Lights) stars as country music superstar Rayna Jaymes. As the series opens up, Rayna is facing declining ticket sales and her handlers want her to team up with teen singing sensation Juliette Barnes (Hayden Panettiere, Heroes).  Juliette doesn’t have the best voice but that doesn’t matter in this new auto-tuned world.   You know how Friday Night Lights was about so much more than football? Nashville is about so much more than country music (although the music in show is excellent). That’s why I believe the show could be phenomenal. The pilot lays out several intriguing story lines in addition to the Rayna/Juliette dynamic including Rayna’s romantic past and her current marriage, Juliette’s troubled background, and Nashville intricate political landscape. I cannot wait to see where the show goes next.

Ben and Kate (premiering September 25 at 8:30 p.m. on FOX): Nat Faxon is one of those actors I totally root for. Years ago he was on the short-lived comedy Happy Hour. The show was awful but Faxon still managed to make me laugh. He always can make even the lamest material pretty hilarious. Ben and Kate makes the most of Faxon’s many, many talents.  Faxon stars as Ben, the older, immature brother of Dakota Johnson’s responsible Kate.  Kate has a five year old daughter Maddie (Maggie Elizabeth Jones) and a best friend BJ (Lucy Punch, whose performance in the pilot is a little too much like Catherine Tate’s Nellie on The Office). Everyone here, including Echo Kellum as Ben’s best friend Tommy, is pretty great and the script is smart and quick. But it’s really Faxon who makes the show. Whether he’s telling five-year-old Maddie that she’s naïve or rehearsing how he’s going to win back his ex-girlfriend, Faxon is uproarious. Last year, Max Greenfield exploded because Schmidt was the right character at the right time with the right actor. I believe and hope that Ben will do the same for Faxon’s career.

Arrow (series premiere October 10 at 8 p.m. on the CW): Arrow is definitely the best new show the CW has this fall. But it didn’t have much competition for that title given that Beauty and the Beast and Emily Owens M.D. are the CW’s other new shows. However, here’s what makes me think Arrow could be great. The show has found a true star in Stephen Amell who headlines the series as Oliver Queen. You’ve probably already heard about his abs, which are put on terrific display in the pilot and ads for the series but Amell also has the gravitas to pull off the role of a ne’er-do-well playboy who returns home five years after everyone thought he was dead. (Because it was driving me crazy when I was watching the pilot I will tell you that Amell played the paramedic who romanced Violet last season on Private Practice).  The other thing the show has going for it is executive producer Greg Berlanti. Berlanti is the man behind Everwood, Brothers & Sisters and this summer’s addictive Political Animals. His presence makes me think Oliver’s backstory and family dynamics will become extremely entertaining.

Go On (Tuesdays at 9 p.m. on NBC): Matthew Perry excels at playing the guy with a sardonic exterior that belies the sweet and sensitive guy underneath. This was the persona he perfected for ten seasons of Friends and this is the persona that’s present in Go On.  Sportscaster Ryan King is an older version of Chandler Bing (look their names even rhyme!) It’s a role that allows Perry to be funny and heartfelt in the same episode. The premise provides a rich environment for comedy and pathos – a man grieves the loss of his wife through a wacky therapy group. The show has a strong supporting cast including John Cho as Ryan’s boss and Tyler James Williams as Owen, a teen in Ryan’s group.  Go On is still finding its rhythm but both the pilot and the second episode had several moments that made me laugh out loud. Could I be any more excited?

Those are my picks for the best new show on each network. Talk about which new shows you are most looking forward to below.

This week I will also be talking about the season premieres of Castle, The Office and Parks and Recreation and, of course, the Emmys.  Follow my blog so you’ll know every time I have a new post.